Claudia Toosey

Eastville Square is a handwritten script collection by Cindy Kinash. This collection includes two styles, two weights (regular/bold) and free words. Style one includes connected lower case letters and style two includes non-connected lowercase letters. Both styles come with alternate tales.

Eastville Square supports most of Central European and Eastern European languages. Eastville Square (US) supports English North America. Use Eastville Square for music promotions, billboards, products, packaging, fashion, film, magazines and murals. Fonts designed by Cindy Kinash and posters by Corinne Alexandra.

Aure Zeritha emotes the unassuming charm of fairytale romance. The modestly adorned forms of this decorative serif font engage the reader with a subtext of innocence. Zeritha brings an ingenuous romance to text and titles and a guileless promise of adventure to astrological expressions and chartwheels. The breadth of typographic textures revealed in its bold and italic forms is given depth by the charm of its small-caps and the delight of its curly alternates.

Zeritha is an original design developed by Aurora Isaac, first released in the LP glyphset in 2011. After more than a decade in development, 2018 marks the release of the CJ and KB glyphsets, available in regular, italic, bold, and bold-italic.

The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

Aure Zeritha stands its own as a text font, but for extended text, try pairing Zeritha with its distant cousin, Aure Declare. Use Zeritha where the fairytale romance is needed; use Declare for tight text and practical contrast.

Give Aure Zeritha a trial run! You may discover a permanent place for this font family in your typographic palette.

>> AureFontDesign.com

Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country.

Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic).
Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.

Inspired by the “Lollapalooza” logo.

The intention was to design a cheerful, entertaining typography. Lolapeluza works perfectly for designs for children and young people. 17 variants are also included from Thin to the Black, Symbols and alternatives!

Just add water and mix! Sometimes it is so easy to make a cake! In this case, it is also very easy to make something really good looking using this font. Actually, all you need is to add one of the flavours: Regular, Italic, Black or Black Italic, and your design suddenly looks super neat!
Ingredients: 4 fonts, multilingual support, fi and fl ligatures as well as ligatures for most common double-letter substitution. Shake well and enjoy!

PaperCutAlmond breathes just the hands-on self-made authentic happy feeling you may be looking for. Each and every glyph is based on a paper letter cut by hand with a pair of scissors by me in my studio. Ideal for packaging for organic products, illustrated goods, book covers, editorial illustrations and other freestyle projects.