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Chelsea Girls is a new sans serif display font inspired by 1970s New York City. It’s bold and exciting, with a fresh quirky vibe. It comes with a set of alternates so you can mix and match to your heart’s desire. Chelsea Girls features all uppercase characters with punctuation, glyphs, diacritics, numerals, and multilingual support. Perfect for logos, headlines, packaging, editorial, and posters.
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Ari Cube Spiro is a typeface one should play with IMHO. There are two styles in this family: regular and bold. Bold is kind of outlineish, extruded, stampstyle font fits perfectly on top or under regular one. Giving thus possibilities for coloring options.
The way I like to use Regular Spiro is to make some words, make fonts to paths, ungrouping, break apart, select all and give selected paths random color. And this all as a vector graphic.
Use this font to create awesome hippie, surfing, book covers, album covers, retro stuff, liquid kind of things and wine bottle labels.
I consider this typeface family original and unique.
There is no kerning with the AriCubeSpiro typeface family, since fonts are designed to overlap each other!
AriCube typefamily will play well with this font.
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RoundCut Bold is a geometric grotesque typeface, ideal for large sizes (display proposals and headlines). Its structure is modern, strong and bold, noticeable in its minimal and geometrically forms. Although visually simple, the construction of each letter form is complex allowing some expression and uniqueness to the typeface.
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Chasmophile is a beautifully classic script. It has cleanly looping ascenders and descenders as well as elegant uppercase forms. Classic, yet free spirited, it is a typeface for a wide variety of use it is very soft and has fast curves, while its low slant angle makes it very legible.
It works perfectly for creative projects such as logos, T-shirts / apparel, badges, invitation, packaging, headlines, posters, magazines, greeting cards, and wedding invitations. You can access the OpenType features on mostly Adobe programs, such as Adobe Indesign, Adobe Illustrator, Adobe Photoshop. etc.
If you have any questions, please contact me: [email protected]
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We often see calligraphy fonts with a standard style developed from the brush pen strokes. Sweet Pancake fonts come in different calligraphy styles. The usual shape has been customized to make it look more personal and special.
Sweet Pancake is available in two versions, regular and X. The second version is the development of the regular version by adding sharp corners to the stem.
To be more specific, this font also includes several swash so that you can easily mix and match unique and different typographic designs. To attach a special swash to the letter end automatically, you only need to add two / three / four hyphens (the standard ligature feature must be activated).
Sweet Pancake is suitable for logotype, invitation, poster and more. Available in OTF and TTF formats, also supports multi-language and PUA encoded.
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A Braille font designed with the look of the Go Game. Lowercase glyphs use black stones while uppercase use white stones. To make the text more like within a Goban, Corner and border glyphs are provided. Also the font allows a “new kind of ASCII Art” by providing the missing glyphs (black stones) which enable this usage (see “drawille” project on Github).
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Brillo Typeface stems from the effort of combining the modern look of a grotesque sans serif font with the elegance of the calligraphic copperplate’s swashes. The result is a typeface that is perfectly suitable for modern graphic applications, such as publishing, branding and web, but which has some ornamental features that differentiate it from all the other grotesque families.
Brillo doesn't want to be a neutral typeface. It’s a font with a strong personality, which can give outstanding aesthetic and conceptual relevance to the graphic projects which will be used in.
Brillo is a typeface thought for titling rather than for texts. For this reason it works better with character sizes bigger than 16 points.