Claudia Toosey

Menco was inspired by the lettering of engineering, found on blueprints, mechanical drawings, stencils and templates.
The family has 10 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as small text.
Menco provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It also comes with tabular lining and proportional lining figures.

Victorian Orchid is a gorgeous vintage flower.

Victorian Orchid is a beautiful, organic serif font family available for both text and display.
Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era.
These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments.
Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font.
Lowercase such like n and d also have horizontal serifs which designed in the same theory.

Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman.
But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat.
In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts.

Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features.
Italics are “True” italics which designed very carefully to match Romans.

Blackest is an inverse contrast wedge serif typeface family, designed by Francesco Canovaro and Andrea Tartarelli as a development of the Blacker typeface designed by Cosimo Lorenzo Pancini. The classical skeleton and sharp edges of the original have been kept while bringing the contrast of the typeface in the realm of the so called “italian” or reverse-contrast typefaces. The result is a typeface family that manages to be quirky but classical, and playful without losing elegance. With its exuberance and six weights of eye-catching proportions, Blackest is perfect for display use: editorial & magazine design, poster design and logo development - but to allow its usage as a for typesetting of longer texts a text variant in two weights has been developed, with less contrast, looser spacing, and high readability. Blackest features an extended character set that covers over 220 languages using the Latin alphabet, as well as Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures.

Joane Stencil™ is Joane’s fearless sequel. Mixes the elegancy of French didones, calligraphic endings, glyphic serifs and the split of the Stencil is treated very carefully. Thus its features convey a warm unique style.
Moreover, it has powerful OpenType features for each style, including stylistic sets, extended language
support, beautiful ligatures, contextual alternates, lining figures, oldstyle figures, fractions, and many more.
Joane Stencil is perfectly suited for magazines headlines, branding, advertising, labels, web and packaging.

Space Show and tell. This font is the no-nonsense choice in your design of clear and big display typography for many types of media – infographics, websites, menu cards, posters, web banners, logo, signs etc. The font has ligatures, unique alternates, hybrid and oldstyle numerals – and specially designed subscripts and superscripts.

Hlad is incised sans serif family inspired by carved Roman letters. Hlad comes in 5 weights – Thin, Light, Regular, Semi Bold and Bold. It is a low contrast typeface, with asymmetric flare serifs and sharp bowl and shoulder endings. Hlad combines elegance of calligraphic endings with stable, solid constructional stems from sans serif group of typefaces.

Hefring Slab is a geometric Slab Serif type family. Based on simple geometry, it has minimal stroke contrast, solid serif presence and a uniform thickness of strokes. The family consists of 20 fonts: 5 weights in 4 widths, each in Roman and Italic. Inspired by the work of the renowned Margaret Vivienne Calvert, Hefring Slab is robust, clear and functional. Opentype features include alternative characters, arrows, tabular figures, ligatures and fractions.

Candide is a neoclassical face for editorial, magazine and newspaper applications. It reflects classical archetypes and is distinguished by its elegant and sophisticated appearance.

The Candide family consists of 16 styles. It comes in OpenType format and provides an extended language support. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Galatea is a universal sans serif family – clean and timeless. Both iconic and legible, Galatea is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. 
Open Type features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript). 

Galatea comes in three widths – each featuring eight weights and corresponding italics.

Tabela is a family of typefaces inspired by the aesthetics of monospaced fonts. Its design, based on the monospaced font, preserves it’s characteristic elements. Perfect for headlines, titles and logotypes, it also has an alternative, more neutral stylistic variant for projects that do not require such distinctive lettering. Its wide array of diacritics allows it to be used in most European languages.

Aure Sable embodies the entrancing mistique of an adventurous spirit. The fluid forms of this brush font engage the reader with a subtext of serendipitious happenstance. Sable Regular brings the soft touch of familiarity to text and titles and imbues astrological expressions and chartwheels with an exotic intrigue. The graceful forms of Sable Italic add the flowing touch of a personal comunique.

Sable is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular and italic.

The CJ glyphset is a full text font with an extended set of lowercase and uppercase glyphs supporting a variety of European languages. Additional glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining and oldstyle versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

Aure Sable is engaging as a text font, but its empathic nature radiates against more traditional fonts that provide the perfect foil to Sable’s casual persona. Pair Sable with the formal look of geometric fonts such as Aure Jane and Aure Declare to accentuate Sable’s heartfelt nature.

Give Aure Sable a trial run! You may discover a permanent place for this font family in your typographic palette.

>> AureFontDesign.com

Aure Wye wraps a carefree dispassion with the dignity of tradition. The precise engraving and organic finials of these decorative serif forms engage the reader with a subtext of elegance. Wye brings an unpretentious grace to titles and drop-caps and provides dignity to astrological expressions and chartwheels. In Regular, Wye presents a formal presence; in Italic, Wye offers a more romantic feel. Its small-caps add a stately variety to Wye’s typographic textures.

Wye is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets, now available in regular and italic.

The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

Aure Wye will stand up as a text font, but for extended text, try pairing Wye with its close cousin, Aure Declare. Used in titles and drop-caps, Wye will provide a striking elegance that will blend well with the serifed forms of Declare.

Give Aure Wye a trial run! You may discover a permanent place for this font family in your typographic palette.

>> AureFontDesign.com

Aure Jane defines grace under fire. These clean, sans-serif forms engage the reader with a subtext of trust. Jane’s excellent legibility will stand up under almost any typographic challenge, bringing confidence to text and titles, and clarity to astrological expressions and chartwheels.

Jane is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic.

The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

In addition to Aure Jane’s versatility as a text font, Jane can enhance the message of other designs. Aure Jane pairs well as an innocuous foil to any decorative font; Aure Sable, for example, will shine all the more beside Jane’s sensible utility. The witty highlights of Aure Brash will sparkle against Jane’s practicality.

Give Aure Jane a trial run! You may discover a permanent place for this font family in your typographic palette.

>> AureFontDesign.com

Aure Declare officiates with dignity and dispassion. These traditional serif forms engage the reader with a no-nonsense subtext of reliability. Declare’s capacity to showcase the message rather than the medium brings a welcome legibility to extended text and a formal assertion to astrological expressions and chartwheels.

Declare is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic.

The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

In addition to Aure Declare’s versatility as a text font, Declare pairs well as a no-nonsense foil to any decorative design. Aure Sable, for example, will shine all the more beside Declare’s practicality. Aure Declare pairs especially well with its close cousin, Aure Wye. Wye’s decorative forms provide elegant titles and drop-caps for Declare’s extended text.

Give Aure Declare a trial run! You may discover a permanent place for this font family in your typographic palette.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila’s italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text.
Each style of the Aila family offers an extended character set specially designed for editorial design projects.

Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability.
Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.

A truly faithful ally for every designer looking for fresh yet familiar and reliable font choice. Geller was created as a part of graduation project in Typowa Pracownia at Academy of Fine Arts in Warsaw. It is a typeface family intended for newspaper, editorial usage.

Geller family comes in two optical sizes - headline and text, it is a complete solution for editorial purposes. During design process the technical needs of certain typographic fractions were examined. The capital letters were designed with certain purpose: it’s modern proportions (derived from Didone fonts) with optimised inner lights as well as short ascenders and descenders work very well within titles and leads. Except of wide range of opentype features, Geller contains bullets & dingbats providing many possibilities in introduction of entry points in editorial design. Compact diacritics, proportionally tall x-height, narrow letter construction, all this designed features make typesetting of narrow text columns and spreads economical.