Claudia Toosey

Phiz is a diverse suite of 27 decorative fonts based on Figgins Sans Extra Bold.

Classic (9 fonts), Rounded (7 fonts), Rough (4 fonts) and Particles (7 fonts).

The Rough and Particles styles emerge as a unique niche—neither imitating distressed printing (e.g. the “rusty” look), nor casual, hand-drawn styles. These type designs are conceived and executed as complex algorithmically-generated graphic procedures, in which repetitive elements have been artfully applied to the Sans capitals, and manually nuanced. As such they also differ substantially from textured glyph shapes that have been cut out from larger pattern fields, for the constituent particles are disposed in relation to the specific shape of each character they define.

The caps-with-small-caps format was chosen for two reasons. Firstly, titling display usage is predominantly capitals, and secondly, rather like optical scaling, having the same resolution of texture available in two different “sizes” (upper and lower case) should prove useful in the hierarchy of page layout—not primarily for setting upper and lower case text as caps-with-small-capitals, although this is of course an option. All figures and major symbols (punctuation and currency) are provided in both cap and small cap height.

An elegant, stylish and easy-to-use typeface.

Just as a nice hat makes you look good, Cagliari brings beauty to your designs—through the traditional flavor of Didone faces, and the simplicity of Modern and neo-Grotesk fonts.

The font is based on the “Queulat” design yet features a higher contrast, between thick and thin strokes, which makes it look simple and suitable for a wider range of uses. Due to an abrupt contrast in stroke weight, Cagliari is more noticeable on terminals and teardrop terminals compared to Queulat. The Neogrotesk-style shapes add a minimalist touch to the font with thoughtful attention to detail.

Cagliari is the ideal choice for fashion magazines, Italian-author books and logotypes for prestigious brands.

Nomada Incise is a sans serif with flared stems. As such, it belongs to a genre that lies slightly off the beaten track, with a strong focus on handcrafted forms. Reminiscent of engraved letters, Nomada Incise is a solid choice for conveying a solemn atmosphere. It has quite a bit of contrast, with an oblique axis, which is discernible even in the lightest weights. Unlike the other families, Nomada Incise features diagonal stroke endings. The sharply tapering strokes, the accentuated vertices and the diamond-shaped dots enforce the impression of letters cut in stone.

Nautica Line is a new version of Nautica font. This fonts family contains 10 fonts, made by different weight of lines.

The Features of this fonts are: Contextual Alternates, Standart ligatures, Stylistic Alternates and Stylistic sets.

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates.

It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface.

The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E.

Includes old-style numerals.

A truly faithful ally for every designer looking for fresh yet familiar and reliable font choice. Geller was created as a part of graduation project in Typowa Pracownia at Academy of Fine Arts in Warsaw. It is a typeface family intended for newspaper, editorial usage.

Geller family comes in two optical sizes - headline and text, it is a complete solution for editorial purposes. During design process the technical needs of certain typographic fractions were examined. The capital letters were designed with certain purpose: it’s modern proportions (derived from Didone fonts) with optimised inner lights as well as short ascenders and descenders work very well within titles and leads. Except of wide range of opentype features, Geller contains bullets & dingbats providing many possibilities in introduction of entry points in editorial design. Compact diacritics, proportionally tall x-height, narrow letter construction, all this designed features make typesetting of narrow text columns and spreads economical.

Karolina is a calligraphic serif font. It is inspired by Edward Johnstons (1872–1944) calligraphy and the foundational hand (which was based on the carolingian letters and therefore the name Karolina). The Uppercase letters are based on the perfect proportioned roman capitals.

Karolina is a classic and clean typeface with smooth shapes that will give an elegant touch to your projects. It is suitable for formal use and works well both for headlines and as body text in smaller sizes.

Nacho Script is a classic and casual typeface ideal for give to your design a confortable touch of traditional feeling, casual style and luxury looks. Is a script system of glyphs with a subtle modulations in it strokes, because it’s inspired on the classic advertising from the golden age of ads in 1950; promptly in 1957. Was so amazing design it and create it for multiple uses like ads for food, drinks, traveling, commercial products, and personal things, and thats it. Enjoy it like we enjoy it creating it. Thanks for your buy.

GS Frank is an uppercase display typeface inspired by the classics DIN, Eurostile and a dash of Futura. Perfect for prints, t-shirts, posters and such. Supports Basic, Western European, Central European and South Eastern European latin characters.

Introducing Haarlem Deco, all-caps sans serif typeface with an art-deco touch. A mix from the old Euro-American signage/advertising letters and modern clean sans serif, carefully mousecrafted to bring you the genuine feel of the era. If you're into classic/vintage letter designs, then this typeface suits best for you. Packed with 300+ glyphs (alternate and multilingual characters included), now it’s your time to go crazy and explore the uniqueness of this typeface!

CONTENTS:

- Upper and lowercase,

- Numeral and punctuations,

- Multilingual characters,

- Alternate characters (OpenType features),

- Two formats; .otf and .ttf

- Lots of fun and joy!

THANKS, AND ENJOY HAARLEM DECO!

Grindhaus Sans is a cross between a geometric & humanist grotesk, inspired by the vintage grotesk typography of the 19th century. A style that was popular on shop windows, book covers, and minimalist labelling.

The letterforms in Grindhaus Sans have slightly varying stroke widths for higher legibility, adobe latin 1 language support, five weights, and unique stylistic alternates & ligatures.

To be like a pro spencerian calligrapher now is easier with The WEDDING Script. The Wedding script is a high-quality font-family with more then 2000 glyphs. It is imitating original zanerian style with numerous swashes and swirls. It is very easy to use. Activate contextual alternate, type any number after a letter and get your alternate: W1, W2, W3 etc… Capital letters have 7-8 options. My dream was to create a script that can imitate professional handwriting without efforts! Don't stop creativity process and just type numbers after letters. It is fast and easy. You can see results instantly as a real calligrapher does! Watch how The Wedding Script works in Photoshop: type your text and start playing! You'll find more then 50 elegant swashes.