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Halau is a clear, elegant and fun upright font for sunny Spring/Summer projects. More fun & sun for your typo- design! I really love this Retro Cartoon style in the 60s and 70s advertising or Hawaii style posters. Combine different width/styles for outstanding typography designs. Some alternates (A, E, K, R, Y, a, g, l, k) will give you more interesting result for your project. Also, you get Hawaii style illustrations set as letters and numerals alternates (36 Total).
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It’s here! Lumbering down the grassy slope towards us, the lovable round sans serif of KNICKNACK. It’s warm, it’s smooth, it’s round and it’s fuzzy.
It’s perfect for display use, print, posters, branding, packaging or kids friendly apps and web!
KNICKNACK is a typeface that will put a smile on your face. It features 2 styles, regular and fuzzy and comes in at least 5 weights. At least?! Yes, at least. If you use the variable font file of KNICKNACK you can control the weight of the font with a slider. Works in Adobe Photoshop CC 2018 and Adobe Illustrator CC 2018.
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The other day I discovered that, regrettably, I no longer am a Spring Chicken. Time flies when you’re making fonts…
So, after I recovered from that shock, I created this font and called it Spring Chicken!
Spring Chicken is a handmade cartoon-ish, script-ish, dunno-how-to-label-it-ish font.
Use it and be rad.
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Chendolle is a bold display font, it has a fun and cute style and is perfect for creating playful kids designs.
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Kiperman is a text typeface designed in honor of Henrique Leão Kiperman, founder of the publishing house Artmed, now Grupo A.
Its forms are simple and straightforward, with no unnecessary embellishments that could disturb the reading. The fonts are slightly narrower than normal, which yields higher efficiency without compromising reading comfort. Besides that, its italics are not just a slanted version of the romans, but rather a separate drawing. With a slope of 8°, its calligraphic structure provides the right amount of emphasis when necessary. The Kiperman typeface works best when setting books, magazines, ebooks and websites. It will also work very well in branding and packaging projects where a sober typeface is needed.
The inspiration for the design came from the personality of the honoree. Just as Henrique always wanted to stay away from spotlights, the Kiperman typeface was designed so that it would not call attention to itself or impose any obstacles in the understanding of the text. In this way, the fonts revere Henrique’s legacy by respecting and honoring the published content.
Henrique Leão Kiperman began his career in 1958, selling medical books in travels through the interior of the Brazilian states of Paraná and Santa Catarina. In 1973, he opened a bookstore in downtown Porto Alegre, the Artes Médicas Sul, and a few years later edited his first book. Since then, his company has grown to become one of the most important publishers in Brazil in the area of scientific, technical and professional books, with more than 2400 active titles distributed among the McGraw Hill, Bookman, Artmed, Penso and Artes Médicas imprints. Henrique passed away in 2017 at the age of 79. The Kiperman type family has been commissioned by Grupo A and is available for licensing. This was the way found for the fonts to be read by more people, spreading some of his spirit around the world.
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US Blaak is an interpretation of a Modern-Classic typeface with a beautiful and strong impressions for editorial design. The sharp serif combined with curves gives US Blaak a fabulous, glamorous and bold look and at the same time doesn't sacrify the functionality.
The design is intended for short to medium length texts as well as display use.
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Modal Stencil is the counterpart of “Modal”. It also comes with 15 fonts in 5 weights and 3 styles, each font covering around 800 glyphs. You can switch between Stencil and Normal without any changes in spacing or proportion. As a stencil type family, it offers an additional tool to create distinct designs in branding, editorial or web.
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Modal is a sans serif type family intended for corporate, editorial and web design. It comes with 15 fonts in 5 weights and 3 styles: normal (upright), italic (right) and back italic (left). Each weight comes with around 800 glyphs and supports a large variety of and features such as ligatures, small caps, figure sets, case sensitive glyphs and so on. With its two italics, Modal offers new possibilities for designers and creates an additional tool for distinct typography.
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As most successful German private press, «Bremer Presse» has strongly influenced German book art. It was founded 1911 in Bremen to print and produce books in perfection. The role model of the press’ typeface was the english Doves Press. Willy Wiegand drew three versions of the «Bremer Presse» antiqua font, starting with the regular weight in 16 pt and adding later the regular weights in 11 and 12 pt. The revival of this beautiful font is based on the 12 pt weight. During the design process, the focus was laid on finding the elegance and strength of original prints. As it was designed to print books, the typeface is optimally used for texts. And with the revival’s new weights «medium» and «bold» and OpenType features like ligatures or old style figures, you can design sophisticatedly typographical compositions.
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Tombouctou is the French name for Timbuktu, a city in central Mali.
I have been to Timbuktu several times; usually arriving after a three day boat trip up the Niger river. Timbuktu is a smallish city, literally in the middle of nowhere, with a treasure trove of UNESCO listed sights.
Tombouctou font is a handmade brush font. It is nice and elegant and will give your designs an ‘oriental’ touch.
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Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the latin american type scene. Inspired by the capricious and temperamental southern Chile geography and the beauty of its landscapes Sergio Leiva develops an expressionist typeface with a very humanist feeling, taking its Czechs and Venetian references a step further by creating an unpredictable mix of forms and proportions which later craft almost to domestication in order to fulfil its purpose of developing an expressionist non disruptive text typeface.
Radal looks extremely well balanced in long text settings at the time that embellish the page with a scent of calm wilderness. On display use, shines on its irregular nature plenty of unexpected forms and counter forms. The Radal family is composed by 7 styles plus matching italics and a set of over 1400 glyphs (1600 on italics) full of ligatures, alternates, swashes, ornaments, small caps, symbols and a complete arsenal of typographic resources for your delight.
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This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!
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Jacklyen is a modern hand-drawn typeface. It has a elegant, classy look, catchy, readable and cool. This font is perfect for giving your branding projects, font for fashion, apparel projects, and goth vibe, but also works great for other projects like posters, packaging, advertising, headlines, social media, branding, signage and anything where you want that urban look and feel.
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Waiting For My Girl comes from a System of a Down song (Hypnotize). I was listening to it when I created this font and I liked the name!
Waiting For My Girl is a script font - it’s quite loose and uneven, just like proper hand writing. It comes with double letter ligatures and a lot of character!
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Kisba is a brand new serif typeface that operates to arouse attention. As contrasts are known to attract each other, Kisba combines sharp, triangular serifs and spiky outgoing strokes with round and soft ball terminals. It’s a typeface driven by visual contrast.
Kisba’s extraordinary design of thin and monolinear diacritics, selected punctuation marks and symbols creates a modern and elegant atmosphere. With extravagant letters like the f, k and x, Kisba is primarily labeled as a typeface for display usage or shorter texts, that catches the reader’s eyes.
The typeface exists in seven weights from Thin to Black offering plenty of possibilities to set texts and headlines. With about 600 Characters per weight, Kisba contains Open Type Features like an extended set of ligatures and language support, case sensitive forms, different sets of figures and arrows.
As a perfect companion to Kisba, my geometric Sans Serif Flink owns the same cap height. That way, you can set uppercase letters next to each other very easily.
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Maipo Sans is a modern typeface inspired by the mountain landscape of Cajón del Maipo, Chile. Its
forms are inspired by the first sans serif European Humanist fonts of the twentieth century along with a touch of reverse contrast. This typeface is specially designed for projects using extensive text blocks and striking ads.
Maipo Sans puts a careful focus in the interpolation; therefore it gains expressiveness as its weight
increases. That is why it has moderate and functional forms in its thinner weights, while in his heavier variants it gains freshness and sympathy.
To make it more complete, this family has a complete Stencil Version with a lot of character and power.
Maipos Sans is composed by 40 styles, 826 glyphs and Small Caps.
Besides, it has powerful OpenType features for each style, including stylistic sets, extended language
support, ligatures, contextual alternates, lining figures, oldstyle figures, arrows, fractions,
superscripts, subscripts and many more.
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Option is a modern condensed sans serif. Inspired by geometric architectural fonts. But despite the geometric construction every single letter was build based on optical evaluation. This approach makes Option more organic and lively in a text line. Option was created for wide spaces. Condensed and thin, but extremely sweeping vertically font makes your massage elegance and strong. The font functions great in many sizes and surroundings.
The family comes in one weights plus italics. Creating of bold weight is underway. Options supports Cyrillic as well.