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When I am working on a new font, I usually play some music, or have a song in my head. When I was working on this font, an Audioslave song called Getaway Car was playing in my head. Again: naming a font is not that difficult!
Getaway Car was made with a cheap brush and expensive Chinese ink. It is an all caps font, ideally suited for posters, book covers and designs that need a bold, rough & ready look.
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NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner.
I have no idea why I called this font Bearskin: maybe I was influenced by one of the Viking novels I am reading - they’re full of Berserkers - but that name was already taken.
Anyhoo, Bearskin font is a nice handmade all caps font. A little rough here and there, but with a lot of character as well. Bearskin comes with swashes, so you can have a ball!
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JH Roy is an Arabic handwriting Naskh typeface, including two weights; it is typical for long running text, headlines, branding & signage...
The diacritic positioning is fine tuned per the publishers requirements.
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Sweet Lemon started off as something completely different, but I screwed up and closed one the the glyphs by accident. I kind of liked it, so I made three distinct fonts, each one with its own Italic style.
In short: when a font is called Sweet Lemon, you should use it for Lemonade packaging. Or whatever.
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I first wanted to call this family Crowbone, after Olaf Tryggvason, the legendary Viking king from Norway. Somehow I changed my mind and went for Crowfeather, because this is not a Viking font and the name ‘felt’ better.
Crowfeather is a family of two distinct fonts: a classic Serif and an old school script font. They work really well together!
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I’m not particularly fond of beans. I do eat them, but they’re not my idea of a delicacy… But this font has ‘fairy tale’ feeling to it, and I liked the name Beanstalker.
Beanstalker is a hand made font (I used a fineliner to draw the glyphs). It is quite neat and organized, but does come with some rough edges and a bit of texture.
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I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’.
Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!
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Galix is a technical sans designed to look futuristic without any of the retro appearance often found in this genre. It has a squarish, slightly condensed anatomy, and is characterized by thin joints and deep ink traps that add a sparkle to the otherwise monoline typeface. In the italic styles, these cuts are accentuated even more which creates a feeling of speed in the letterforms.
Galix is optimized for display typography (the ascender height is the same as the cap height, and the spacing is somewhat tight) but the middle weights are very readable at smaller sizes, where I'd recommend adding a little tracking. OpenType features include ft and tt ligatures, stylistic sets/alternates, automatic fractions, tabular, superscript and subscript figures, case sensitive forms.
Perfect for websites, apps, infographics, magazines and logotypes, Galix is technical but with a warmth and personality that is often missing from this genre.
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Dapplegrim is a Norwegian fairytale collected by Peter Christen Asbjørnsen and Jørgen Moe in their book ‘Norske Folkeeventyr’. The story is about a boy who inherits a big horse (called Dapplegrim, or Grimsborken in Norwegian) and sets off to rescue the king’s daughter from a nasty troll.
Dapplegrim is a handmade fairytale font. Use it for your book covers, product packaging and fairytale collections!