Claudia Toosey

Cocogoose Classic is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been soft ended by rounded corners and slight visual corrections that make Cocogoose Classic not only perfect for logos and headings with a vintage feel, but also very readable as a text font, thanks to its generous x-height.

Cocogoose Classic is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named in homage to fashion beloved icon Coco Chanel. Its strong character makes it ideal for display uses.

Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential.

Font Gambero is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW “Prasa” that appeared from May 1960 till December 1973 in Poland.

Ding extra, is an extended version of Ding where you can find layers, shadows, lines, dingbats, it is a very versatile font, it contains Cyrillic alphabet, as well as many ligatures.

Dez Now Sans is a humanistic typeface family that was begun in 2005 by Chris Lozos of Dezcom. Since then, it has been nurtured, revised, and expanded to include 12 weights in both upright roman and true italics totaling 24 variations. This allows the user to choose the weights which best work for type-size, output device, and reproduction process.

There is often a difference of opinion on what the best weight to use for normal text when setting type. The truth is, there is more than one answer. When you consider the size, weight, leading and set width—along with paper and ink specifications, you may find the need for several. The subject matter of the text with the specifics of the target audience, also increase the demand for expanding choices. Dez Now Sans was designed with several potential text weights to address any circumstance.

Dez Now Sans gives you a full and varied toolbox of fonts to choose from.

Fountaine script is a new and fresh font script that comes with two styles of clean and rough style. so this font can provide an alternative, new sensation and vintage feel for the designer or craftsman, in working on various projects.

This font is perfect for all your project like the wedding invitation, greeting cards, branding materials, business cards, quotes, posters, insignia, badge, greeting cards, vintage logo, or you can use this font for various logo project (logotype) and more!

Fountaine script come with 325 glyphs totally. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be fully accessed by a craftsman or designer through either Windows or Mac computer without any requirement for fancy design software.

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Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other.

The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'.

Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

Mezalia Sans is a logical continuation of the Mezalia family. Its shapes are based on medieval calligraphic style: the Bastarda. This time the evolution is taken a step further, as these classic shapes are merged with the straightforwardness of a modern sans-serif. This results in an original, strong yet very much usable typeface, that can hold its own in a wide range of applications.

Mezalia Sans has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in ten weights, from thin to black. This wide range ensures that whether you are looking for delicate or bold strokes (or a combination of both) you will be satisfied. Every style also contains a set of small caps (with matching punctuation). Old-style, proportional and tabular numerals are included too, along with ligatures, symbols and language support in Adobe Latin 3 range.

Introducing Pistoletto script. I was inspired by works of Roy Lichtenstein and Michelangelo Pistoletto. There are 4 fonts that in different combinations make interesting results: Background, Black, Highlight, Regular.
Each style supports European languages. Basic latin has uppercase alternates, two lowercase alternates, many ligatures and swashes.

I used for display pictures following works of Roy Lichtenstein: Pistol (1964), Engagement Ring (1961), Oh, Jeff...I Love You, Too...But... (1964), Seductive Girl, Yellow Brushstroke I (1965), Brushstroke (1965).

Visiting the end of 2018, we launched “Controwell Victorian Typeface” which adheres to Serif and Script style.
Controwell Regular has 2 layers that give a cool metal effect. Besides that, there are many alternative character choices that suit your taste.
This charming Controwell Script is very well suited combined with Controwell Serif Regular. the elegant and unique impression looks very hard. just like the serif font, this script also has many alternative character choices, up to “SS10” and 600 glyphs.

You create designs with modern Victorian themes or classically themed themes that are suitable for collecting Controwell Victorian Typeface, in addition to many choices of your character is also very easy to use. just choose and change some characters, the design that you design is ready to be printed or published on social media.

This font is very suitable for logotype design, packaging design, beer design, vodka, whiskey label, poster design, victorian book cover and design.

Joseph is a slab-serif face designed by TOMO. With a wood type look - letterpress print, this fatty comes in handy when is time to design an informal —yet strong—looking communication piece. Imagine this typeface on a T-shirt, even a mug! Sweet.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages.

BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

Bold and compact, Stamina is a solid, sporty, font that punches beyond its weight. Ideal for product logos, headlines and signage, it has both power and panache!

Opake™ is an experimental typeface design that steps away from regular design conventions. Instead of basing the design on a calligraphic tool or geometric shapes, Opake™ is the result of the exercise of creating letters with a single continuous loop line.
This unseen technique makes the overall design very unique.

Though unconventional, the design resonates with some familiarity because of its calligraphic stroke terminations and some shape decisions that might resemble Cooper Black.

In the end Opake™ is a cutting edge non-connecting script font, with a warm and happy feeling. Ideal for large headlines and general display use, but also branding, posters and apparel.

If you like unconventional solutions and edgy design, Opake is the font to go for.

The Latinka family is a clean modern sans serif font created for website use as for desktop use. It is perfectly suited for graphic design and any display use. It comes with 18 different styles from thin to black. Each weight includes extended language support inclusive Cyrillic and Greek alphabet.

Marteau is a strong, clean, and modern condensed geometric sans-serif. It’s purpose lies in branding, advertising, packaging, and all other design that calls for a big impact. It is the display typeface for all things contemporary, from rustic coffee shops to colorful web design – the versatility of Marteau allows for prefect integration into a wide variety of aesthetics.

Steal the spotlight with Senlot. A high contrast sans serif, Senlot’s figure is perfect for enrapturing your audience. The font shows off a unique calligraphic stress, which--with the contrast--makes the face quite usable in luxury and high quality design work.

The gorgeous appearance of Senlot is accompanied by a complete set of small capitals and a true italic. Dress your text in any of nine separate styles from Thin to Bold. Senlot also holds a full set of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures and has an extended Latin cover with span for over 72 languages.

A special thanks to Lucas Azevedo and ikern for production assistance on Senlot. Let Senlot’s beauty and simplicity carry the stage on your new text or webpage.

Grindhaus Sans is a cross between a geometric & humanist grotesk, inspired by the vintage grotesk typography of the 19th century. A style that was popular on shop windows, book covers, and minimalist labelling.

The letterforms in Grindhaus Sans have slightly varying stroke widths for higher legibility, adobe latin 1 language support, five weights, and unique stylistic alternates & ligatures.