Claudia Toosey

Gothiks Round Condensed is the rounded version of Gothiks Condensed. It is a 6-weight display sanserif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both san-serifs or Blackletter, depending on geographic location. Use it BIG!

Thellor is an elegant handwritten script font. Get inspired by its unique shape and character! Thellor contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, and international characters.

Gothiks Round is the rounded version of Gothiks. It is a narrow 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. The intermediate weights can be used for short texts while extreme weights are excellent for big sizes. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location.

Gothiks Round Compressed is the rounded version of Gothiks Compressed. It is a 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location. Use it BIG!

Empera is a fearless athletic font family with six creative styles for added flexibility and variation. It's perfect for sports logos, branding, posters, apparel design with it's bold and confident appearance. The upper- and lowercase vintage characters come with different renders to add authenticity and a more natural worn look. Empera features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Black Animal is handmade brush style font. Very cool for logos, product packaging, merchandise, social media & branding. And very easy to use to design t-shirts and other products. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Grosen Typeface Family is designed by Oğuzhan Cengiz in the years 2017-2019. It has a grotesque structure that contains humanistic effect. Although it is designed upon the basic geometric structure, it shows own style with expansion that makes a reference to serif at start and finish of round letters. Grosen Typeface Family has fourteen styles with seven weights and theirs real italics. These have advanced OpenType features; like small capitals, case sensitive signs and math symbols, alternative characters (a, g, M, J, &), automated fractions, oldstyle figures, tabular linings, proportional numbers...

Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding. The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.

FontMesa is pleased to introduce our latest sans serif type font design Marlin Geo. Ten years ago we set out to make you a good clean multiple weight font family, with each new release our goal was to improve and refine our work making each font family better than the next. It's been a long journey in creating for you the customer the best product possible. Marlin Geo is FontMesa's best work yet, it's spot on perfect, painstaking effort has gone into making sure the letter shapes have been crafted simple and clean the way they should be. Marlin Geo is your classic everyday use sans serif that's packed with alternate letters that I'm sure you're going to enjoy. Marlin Geo comes with two sets of italics, the standard 12° italic and a 6° slant version that's perfect for headlines and signage where you may want the look of an italic with half the slant. Marlin Geo offers two versions, the regular which has round dots, periods and accents and the SQ version which includes square dots, periods and accents. Both versions include the same set of stylistic alternates which you will need an opentype aware application such as Adobe Illustrator to access the alternate glyphs in Marlin Geo. Within Marlin Geo is one alternate letter that I'm pretty fond of, you'll notice it right away as a slightly rotated G, I'm sure you'll find the perfect project to use it on. You'll also find alternates in Marlin Geo that allow you to go without descenders on the g, j, q, y. Right about now you're probably wondering what the sets of three lines are for in Marlin Geo? They're wings, hard or rounded, simply type out a name or word then place a wing on each side or use the center wing with each side wing and layer a word over the top. You'll also find a Unicase E in Marlin Geo, when creating the uppercase Schwa glyph I thought, well why not flip it over and add it as a Unicase letter which perfectly compliments the geometric style of this font? What about the numbers in Marlin Geo? Does it have oldstyle and tabular figures? don't worry about it we've got you covered. In saltwater fishing the Marlin fish is considered the King of the ocean and a royal symbol in some cultures. So put on your flip flops then explore and discover the possibilities the all new Marlin font family has to offer. This next part is a story I'd like to share with you, it's about a man named Ric. Six years ago on a warm summer day I was cleaning out my garage and putting junk out on the curb for garbage pick up, a couple of hours went by and a man pulls up in his pickup truck, he gets out and starts looking through my garbage for anything he could sell at a yard sale. I invited him to come back to my garage to see if there was anything else he wanted for his yard sale, he accepted and backed his truck into my driveway. He was a man in his late sixties or early seventies with what appeared to be advanced arthritis in his knees so it took him a while to walk down to my garage. As we where loading items into his truck he asked me what I did for a living, I said that I work in pool construction and design type fonts, the man's eye light up with excitement, he said I'm Frederic Goudy's great nephew, I was named after my uncle, Goudy is my middle name but you can call me Ric. Frederic Goudy Bendel is his name aka Ric Bendel, Ric is a jazz musician in the Chicago area, he came by for a couple more weekends and helped me clean more junk out of my garage. I wish I had more time to sit and talk with Ric, however, care giving for family was still a big part of my life at the time. I like to dedicate Marlin Geo to Ric Goudy Bendel, thanks for helping me clean out my garage. Additional thanks goes to Octavio Pardo and Eben Sorkin for showing me the right way to make multiple weight type fonts. Marlin is a trademark of FontMesa LLC

Carmen Sans is a Geometric Sans that expresses modern vigor based on simplicity and clarity. The Hangul font is designed to deliver the same tone as the Latin font with its light curvature and structure, and it is suitable for display purposes by arranging letter heights between the two character sets. With the total of 9 styles, Carmen Sans works seamlessly in a variety of media and omnidirectional graphic designs, from editing to integrated applications for your brand.

Brava Sans (the naked & extended version of Brava Slab) is a family of 8 weights, 2 widths and true italics. Designed for editorial purpose, it has a monolinear appearance with a humanist construction, open counters and a tall “x height” that give it a right personality for use in branding. Also Brava Sans has a lot of helpful features as a wide range cover of Latin languages, a lot of OpenType features, a new condensed width and two bolder and cooler weights that make Brava Sans a useful tool for the graphic designer. A full range of numerals (included old style figures, lining, numerators, denominators, superiors, subs, circled and black circled), small caps, forty ligatures (between standard & discretionary ligatures), a lowercase superior and inferior set and a stylistic set are some of the features that makes Brava Sans a solid choice.

Intensa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2019. It is a slightly condensed, humanistic sans serif typeface with angular details and shortened endings that provide an unorthodox appearance. Despite of this particular features, it is suitable for any kind of project, text length, size and, due to it subtle condensation, it is particularly effective for space economizing. Intensa consists of 8 styles, each containing small caps and glyph coverage for several languages.

Wouldn’t it be nice to have a pack of Instant Harmony in your cupboard? Just add water and *poof* - all strive and struggle have gone, having been replaced by peace and quiet. The grass seems greener, the sky bluer and the air smells like a fresh mowed lawn. Ahhhh! Zap! Back to reality. There is no instant harmony, don’t go looking for it in your local supermarket! If you want a taste of something resembling instant harmony, then add this super-duper font family to your collection and use it for your designs. You may find that your creativity levels are up, your morning coffee tastes better and your designs look exactly like you had in mind. Pinky promise!

Ravensara Sans — fashionable, high-contrast humanist sans. Ravensara family was born from the idea of taking the concept of Didone to weight extremes. Ravensara Sans is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Depending on weight, Ravensara Sans, like the other members of this font family, show quite different behavior. Heavy weights function above all as display fonts and work particularly great in all-caps. Medium weights of Ravensara Sans represent humanist grotesque, descended from the pages of fashion magazines. Thin weight perfectly complements the others if you need an especially wide choice of weights. Also, all the weights work great in all-caps. Ravensara Sans is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Serif and Ravensara Stencil. If you need to achieve classic Haute Couture look — Ravensara Sans is a great choice. It’s a perfect choice for fashion logos, headlines, short texts, magazines, due to its simplicity looks great in oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc. Ravensara Sans extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

White Buttell is a handwritten brush script font. It has a natural style of a dry marker which makes it perfect for branding, advertising, poster designs, logos, book covers, magazines, packaging, website headers, and more.

We’re in the process of buying a house. Our first bid was rejected, our second bid as well. Our third (and final) bid was accepted (yay!), so, for us, the old ‘third time lucky’ quote rings true! Third Time Lucky is a set of three distinct handmade fonts, each with its own italic. Use this wonderful set for your books, your packaging or even your ‘house for sale’ signs.

Megabyte is a modern sans serif typeface built with minimal tapering and a geometric foundation in mind. The family contains 10 weights from light to black with matching italics that slant at 9°. Working on Megabyte, we’ve aimed to create a reliable workhorse typeface with the widest possible range of implementation. With its quirky curves and sharp edges Megabyte functions equally well in bulk text and in headings. Designed with an extensive collection of OpenType features and alternative forms, each weight includes extended language support + Cyrillic, ligatures, arrows, symbols and much more. Megabyte is ready to be put to work. Designed by Thomas Gillett, metrics and engineering with the help of Erin McLaughlin (Hindi Rinny).

TT Hoves completes the TypeType font trilogy dedicated to modern sans serif. The first was TT Norms—the universal geometric sans for the widest possible range of tasks. The second was the neutral sans TT Commons, which was originally designed as a corporate typeface for TypeType studios. Unlike the first two typefaces included in the trilogy, TT Hoves has a distinct character, but without too bright bursts or kinks—it’s not too neutral and is moderately bright. We wanted to create a sans serif with recognizable patterns and geometry that would be perfectly suited for solving visual problems in such areas as architecture, design, industry, science, astronomy, drawing, high tech, research, space, statistics. The typeface name TT Hoves comes from an abbreviated combination of two words: horizontals + verticals (ho + ve), which is intended to emphasize the fact that vertical and horizontal strokes predominate in the design of the typeface. Other distinctive features of the TT Hoves design are sharp turns in letters like f t J r j and the shape of the internal junctions of diagonal 2-point strokes (A W M N V X), which is intended to add a square and technologically advanced touch to the picture. The stroke thickness tends to a single width for the entire range of styles, with natural compensations in the boldest styles. The TT Hoves font family consists of 20 fonts: 10 weights (from Hairline to Black) and 10 corresponding italics. Each of the styles includes 1348 glyphs. TT Hoves covers almost all languages using the Latin alphabet, as well as most languages using Cyrillic. In addition, in TT Hoves you can find a small capitals for Latin and Cyrillic and a large number of ligatures and stylistic alternates. In order to make it more convenient for you to use stylistic alternates, we have divided them into separate stylistic sets, one letter per set. We also did not forget about the mathematical and navigation signs, drew currency signs and added all types of numbers. A complete list of useful OpenType features that you can find in TT Hoves: zero, frac, ordn, case, c2sc, smcp, ccmp, locl, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga, calt, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, ss13, ss14, ss15, ss16, ss17. Separately, we would like to draw your attention to high-quality and detailed hinting, which is designed to help the typeface work well in a small size and even on small screens.

Effortless, personal, nonchalant. So Lovely just slides into the room, without a care in the world, flowing from one letter to the next. This simple typeface has a secret—behind that nonchalant attitude is a ton of Stylistic, Swash, and Titling Alternates. It even contains 44 special ligature combinations to insure you have the smoothest entrance possible. So Lovely is the third release of the Positype Relaxed Script Collection of typefaces—all focused on fluid, effortless script fonts for simple use.