Claudia Toosey

Organ Grinder is an art deco typeface published by SoftMaker.

I was doing the laundry the other day and, as usual, I was going through the pockets of my jeans. After I had emptied my party pockets, I figured it was a great name for a new font!

So, without further ado: here’s Party Pocket: a handwritten all caps font - great for product packaging, greeting cards and posters!

Delizious!

A combination of retro, vintage and modern calligraphy styles to find exotic nuances in the characters. Vintage-style swashes, it’s simple and still looks elegant. Consistent thickness is a characteristic of retro fonts. The position of letters that look up and down makes them look like they are dancing, a characteristic of modern calligraphy letters that are trending today. Basically this is a simple font, you can see it.

Specific OpenType features include Contextual Alternates, Stylistic Alternates, Swashes, Standard Ligatures, also Multilingual accent support.
With Opentype features, You can access glyphs very easily. An advantage of Opentype and I like it very much. In Adobe software, You ca turn off your “opentype” feature to accesses random/selected letters.

This font support Multilingual Latin Pro accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...)

Hope you all love it.
Thank you!

The design of Nomada Sans is informed by the examination of several iconic sans serif typefaces, incorporating both lucidity and grace. The result is an entirely new and original typeface family infused with Latin flair. Nomada Sans reveals the essence of the Collection: Here, the structure is reduced to the max. The family comes in nine weights from the most delicate Hair to a punchy Extrablack, all with true italics. In the medium weights, Nomada Sans is a pleasant multi-purpose face and reads well in body copy, too. The generous x-height and open shapes ensure excellent legibility in even the smallest text sizes, while the lightest and boldest weights deliver impact to headlines and other display uses.

This is a font imitating the stage of outline construction of letters using drawing tools - compass and ruler. It is very geometric (with auxiliary lines, axes, centers of circles, tangents, and conjugation of circles), although the circles are somewhat compressed from four sides. The second style, which plays the role of Bold style, is a hatched version of the Regular style.
The font has very small elements that appear in a sufficiently large size, so it is better to use it for large compositions, in particular, advertisements, posters, large headings, etc.
The family is named “Khachatur” after the name of the father of designer Ruben Tarumian — architect Khachatur Hakobyan, his first master.

Good Gravy is offering up its very first font… Koozie Script is a collection of 2 modern vintage brush script fonts and 1 delicious icons font. It is a powerful script which works perfect for headlines or sports apparel & logos. Get it while its fresh for only $25

A ‘Brochette’ in French is a skewer. I used to be a tour guide and some years ago, I guided a couple of tours in Mali. Every night at dinner we had the choice of a ‘Brochette de Capitaine’ (grilled Nile perch on a skewer) or a ‘Brochette de Bœuf’ (grilled beef on a skewer). Of course, every night the Brochette came with French fries and ‘petits pois’ (peas). It was really nice, but after 4 months of eating Brochettes, I longed for something different!

Brochette is a very nice rounded font. It comes with curls, swirls and swashes.

When I am working on a new font, I usually play some music, or have a song in my head. When I was working on this font, an Audioslave song called Getaway Car was playing in my head. Again: naming a font is not that difficult!
Getaway Car was made with a cheap brush and expensive Chinese ink. It is an all caps font, ideally suited for posters, book covers and designs that need a bold, rough & ready look.

Designed by María Ramos and Jordi Embodas, Nomada Didone exhibits a more pronounced contrast than Nomada Serif, with vertical stress and finer hairlines. The contrast amount is not too extreme, though. It’s robust enough to be used confidently also for smaller text sizes, on screen, and in negative settings. The ball terminals add to its posh demeanor – a feature that is particularly noticeable in the gracile Hairline.
At the other end, another exquisite titling typeface: Nomada Didone Extrablack channels the Fat Faces of the 19th century, with adjusted vertical proportions for contemporary use. The medium weights make for a dapper text face that combines clarity and sophistication.

Epicentrum is a universal sans serif with a minimal style of strokes, a closed aperture and geometric shapes. It comes with four rounded styles which are perfect for large arrays of texts. The individually developed design of each glyph makes it possible to use it successfully as a display font. All weights can be combined perfectly which gives you the opportunity to create endless unique designs with just this one download.

NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner.
I have no idea why I called this font Bearskin: maybe I was influenced by one of the Viking novels I am reading - they’re full of Berserkers - but that name was already taken.
Anyhoo, Bearskin font is a nice handmade all caps font. A little rough here and there, but with a lot of character as well. Bearskin comes with swashes, so you can have a ball!

Neue Stanley, all-caps vintage serif with strong, clean and sharp figures. Inspired by the classic letters that were used in the old advertisements (posters, labels, packagings, etc) Mouse-crafted with high attention to the details, satisfaction guaranteed! Whether you're working on modern or classic themed designs, this font is a must have on your designing arsenal.

Rearviewmirror (no space) is a Pearl Jam song and it happens to be my favourite! Rearview Mirror is a handmade tall & thin font. It comes in a regular and bold style with their italics.

It seems black crayons are out of stock where I live. I can buy all the colors I want, except black ones… I really needed a crayon, so I bought this ridiculously expensive professional marker crayon ($14 for 1!!!) and created this font.

Use it for… well, uhm, dunno… book covers, product packaging and restaurant menus? Just have a ball!

Introducing Luckystrikes, a handwritten script-font inspired by a poor amount of characters in the 1950-style advertising of the well-known American cigarettes. Kustomtype redrew this font with a very clear and cool old-script style. This font is great for all your creative projects. Luckystrikes comes with uppercase, lowercase, numerals, punctuations in script so you can use it to customize all your designs. Perfect to use for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. Luckystrikes is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry.

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food, but I was toying with the idea of serving something Mediterranean and realised we had run out of olives. So there you have it: the super simple trick of naming a new font!
But enough of cooking: Aceituna font was made with a Japanese brush pen. It is a very versatile font: tall and thin, elegant and a little messy. A hint of texture and, like olives, it goes with almost anything.

Based on a Monotype 1930s condensed poster typeface, Placard Next is bursting with personality. Unexpected details appear throughout the design, from its wedged diagonals and single storey a to its round tittles – which would more ordinarily be square, and mechanical. The warmth and quirkiness of its character really shines through when set at larger sizes, making this a typeface for posters, headlines, and anywhere else designers need to make a statement. Designer Malou Verlomme has paid particular attention to the typeface’s ‘word images’, further amping up its impact, and added some vintage flavor with Placard Next Round.

As well as a striking display typeface, Placard Next’s four widths and six weights – hairline to bold - mean it’s a versatile design, that can be adapted for use in almost any environment. The complete family contains 48 fonts: 24 in Placard Next and 24 in Placard Next Round. It includes a large multilingual character set.